Absentee bids let you place your maximum bid on an item before the live auction begins. During the live show, we’ll continue bidding on your behalf up to your max bid — just like leaving a bid with a traditional auctioneer.
When you place an absentee bid, the system sets the current bid conservatively — just enough to keep you in the lead without revealing your full amount.
The current bid shown on each lot reflects all confirmed absentee bids and updates automatically as new bids come in.
When the live auction starts, bidding will begin at the current bid. The auctioneer will continue bidding on behalf of absentee bidders up to their max bids.
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Bidding Quick Facts
How bidding works
All items have a minimum bid of $1.00.
When "No Bids" is displayed, it means no absentee bids have been placed on this item yet.
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Your absentee bid for Lot 031 - Antique Japanese Woodblock Print Triptych, "Our Fleet Attacks and Sinks Chinese Warships in the Yellow Sea," Sino-Japanese War, by Ogata Gekko, Published by Matsuki Heikichi, 1894, Framed, 35-1/2" W x 21-1/2" H was successfully submitted—thank you for bidding with us!
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Lot 031 - Antique Japanese Woodblock Print Triptych, "Our Fleet Attacks and Sinks Chinese Warships in the Yellow Sea," Sino-Japanese War, by Ogata Gekko, Published by Matsuki Heikichi, 1894, Framed, 35-1/2" W x 21-1/2" H
Lot 031 - Antique Japanese Woodblock Print Triptych, "Our Fleet Attacks and Sinks Chinese Warships in the Yellow Sea," Sino-Japanese War, by Ogata Gekko, Published by Matsuki Heikichi, 1894, Framed, 35-1/2" W x 21-1/2" H
Antique Japanese woodblock print triptych depicting a Sino-Japanese War naval battle scene, titled "我艦隊於黄海清艦撃沈之図" ("Our Fleet Attacks and Sinks Chinese Warships in the Yellow Sea"). The scene shows a Chinese warship capsizing with sailors thrown into the sea, while Japanese warships engage in combat in the background. By Ogata Gekko (1859-1920), with artist's signature and red seal. Published by Matsuki Heikichi, Nihonbashi, Tokyo, dated Meiji 27 (October 1894).
The triptych is matted and framed. The print shows fold lines, toning, and general age wear consistent with its age. The easel shown is not included.